Pirate Tails Pride Performance. Live & Online

This family-friendly circus performance reimagines the childhood tropes of the pirate and the siren through lenses of Queerness and Disability. Join this high-flying hoop duo for some under the sea shenanigans. 

On Friday, June 25th 2021 join us at 6pm online for a YouTube premiere of the act, presented with audio description and open captions—with transcripts available in Word and PDF versions.  The same act, without visual description, will stream directly afterward in the presentation. The digital presentation will be available to stream all week long on YouTube!

On Saturday, July 3rd 2021 two outdoor live presentations of the act will take place. 

12PM Allen Gardens + 3PM Regent Park (Sumach-Shuter Parkette)

Click here for our Facebook event (updates and creation process photos)

In the event of rain, park popups will be moved to July 4th. Check back here for the update!

Access info: 

Digital Act:

The digital act is created with audio description and open captions—with transcripts available in Word and PDF versions. The same act, without visual description, will stream directly afterward in the same presentation. The digital presentation will be available to stream all weekend long!

Park Popups: 

As much as possible, we will try to position the show so that it can be viewed from shaded spaces and both grassy and paved terrain. 

We ask that the audience respect public health recommendations and practice physical distancing and masking as appropriate. We will have volunteers present to assist with this if necessary.

Both performances are intended to be relaxed. Please feel free to cheer, stim, move around, tend to your needs, and come and go as you please. 

Allen Gardens:

There is a paved pathway that enters in and out of the park.

Sidewalks and pathways surrounding and within the park are wide, all with sloped curbs. 

Public washroom: A portable in the parking lot beside the playground.  Not gendered, not wheelchair accessible.

Regent Park: Sumach-Shuter Parkette

Sidewalks and pathways surrounding and within the park are wide, all with sloped curbs. 

Pam McConnell Aquatic Centre is down the street and has indoor bathrooms. There are gendered stall bathrooms as well as a single-user bathroom with grab bars and an automatic door. There are also lots of businesses nearby with bathrooms.

It Takes a Village:

We extend our deepest gratitude to the wonderful team of humans who is making this possible.

Artists: Erin Ball- Pirate (she/her) & Jayeden W– Mermaid (she/her)

Presented as part of Buddies in Bad Times Theatre’s Pride in Place Programming.

Videographer: Olya Glotka

Coaching from: Meaghan Wegg

Poster by: Andra Ragusila

Dramaturge Consult: Anthony Yu

Audio Description: Becky Gold

Captions by: Closed Captions Services

Production Manager: Charissa Wilcox Flying Solo TO

Land Acknowledgment:

Our gathering will be situated upon the traditional territories of the Wendat, Haudenosaunee, Anishinabeg, and the Mississaugas of the Credit River. As well as the contemporary home to many Indigenous nations. 

This territory is covered by the Dish With One Spoon Wampum Belt Covenant—an agreement between the Anishinabeg and Haudenosaunee allied nations to peaceably share and care for the lands around the Great Lakes. By living, working, and gathering on these lands, we are responsible for taking from and caring for them responsibly. This includes ongoing reconciliation work with the traditional and contemporary caretakers of this land.


Should You Buy Aerial Silks for Your Kid?

Leading up to the winter holidays, I usually get a few emails from parents asking where they can buy their kids or teens one of those “fabric thingies” that they hang off in circus class. These are my favourite parents, the ones who ask a coaches’ opinion before purchasing professional aerial equipment that’s going to encourage their kids to hang off trees and teach their friends.

Because make no mistake, having access to a silk of their own will encourage your child to go hang it off of random structures.

How do I know? From lived experience. 

In 2012 at the age of 15 I bought my first aerial silk. She’s a bright coral beauty that I’ve performed on many times and still use today. At the time I was training at The Circus Company then known as Aerial Silks Collingwood. We were a small gym with about three very thin silks to learn on. Kristin, who ran the circus classes was ordering more fabric for the gym, and asked us if we wanted to add our very own silks to the order. I was ecstatic, and couldn’t think of a better way to use the money I had saved from my job at the vet clinic. 

The first time we hung our new silks, I climbed all the way up to the gym ceiling and stayed there for a very very long time. I swore I would never come down, but eventually my foot went numb and I was forced to concede to gravity. It was amazing to be able to take classes and practice routines on my very own aerial silk.

My first performance on her was spectacular. 

A young white teenager is suspended upside down on two pieces of pink aerial fabric. She is beaming.

I was utterly filled with joy to be able to do what I loved, on a silk of my very own, in front of hundreds of people. 

A young white woman slides down long pink aerial fabric. Behind her there is a photographer and a large crowd of people.

Having my own silk also encouraged me to learn about rigging—that’s how we hang things up in circus. It got me thinking about forces and loads and structural capacities (AKA looking at every ceiling everywhere and asking myself “could I hang from that”). I started learning about the kind of gear that you need to be using if your hanging your weight off of something; hint: it should have a kN rating or WLL before you even consider using it as circus gear. I took courses with rescue professionals and learned how to tie knots in spansets, practicing them at the gym around balance beams and at home around the kitchen table legs. I was mentored by our rigger and shadowed the other professionals I was working with when we set up for performances. I talked to climbers and read books by circus rigging professionals. I joined a Facebook group called “Safety in Aerial Arts” which featured a lot of critiques from industry professionals about sketchy setups, bad choices, and what NOT to do (though there was a lot of useful learning there too). I’ve taken some seminars with Brett Copes from Fight or Flight Entertainment who’s rigged for companies like Marvel Universe Live and Cirque du Soleil. All of this learning before I had even turned 18! Of course, I’ve continued with my education since then, always asking a million questions whenever people will answer them. But all of that is to say that in my first few years of owning silks I absorbed a lot of information on safety and best practices, and had a pretty great support team of people to practice under. 

And, I still took my silk out on “field trips” to hang off of structures outside of the gym. 

Two white teenage girls hang upside down on fabric draped over a swingset.

Granted, many of those were fairly reasonable well thought out adventures with a safety analysis, rigging plan, and at least one other circus person on site—sometimes even a consult with a rigger. A lot of those decisions I still stand by today (bridges are incredibly structurally sound for circusing purposes ). 

A young white woman hangs on pink aerial fabric over a calm stream. She is looking into the distance.

And I’ve collected some fantastic stories! Like the time that I went with one of my circus sisters and hung off a bridge in the town that I lived in. I had dreamed about it for months, drawn up a rigging plan, and even cross checked things with a rigging professional. Super safe teenage shenanigans—even if they did involve scaling a bridge and suspending ourselves above moving water. 

A young white woman is suspended over a calm river hanging off of two pink pieces of aerial fabric.

What we didn’t account for however, was the dam above the bridge opening up and soaking the bottom of our silks while we were on them! Or the middle aged woman who was concerned about our teenage shenanigans and loudly proclaimed that she was thinking of calling the cops on us. Luckily we don’t know if that ever went through because we united all of our knots and hightailed it out of there on our biked with the wet silks dripping from our backpacks.

A young white woman hangs suspended over a rushing river on two pieces of pink aerial fabric. Despite the chaos of the water, she appears relaxed.

While I stand by that adventure, and love the story of it. I’ve also done some more questionable things with my silks. Like for example hanging of trees. And not just hanging off trees, trying doubles work that involved my friend hanging off my arms while I was suspended upside down on the silks, with only patio furniture cushions as mats. (And yes I absolutely dropped her while she was upside down. She’s fine now, but that was definitely an avoidable mishap). 

A young white woman peeks out from within a hammock of pink aerial fabric. She looks happy. Behind her is a shed, the photo appears to be taken in a backyard. Underneath her there is nothing but a blanket.

I’ve also, in particularly questionable circumstances, done a double salto drop on a tree branch that had a rope slung over it. A setup I knew nothing about at the time and simply trusted the person who had set it up and their knowledge of rigging. Now if you’re not already aware, rigging on trees is really risky because there’s no way of knowing the health of the branch that you’re hanging off of (unless you cut it down). But doing drops on trees is generating an unnecessary amount of force and putting yourself and the tree in an absurd amount of risk. As a well educated professional, I definitely knew that it was a risky move when I did it. But to be honest, I probably went ahead with it because I was new to Toronto, I wanted to make friends, and I was seventeen and believed myself invincible.

In one particular circumstance of doing silks in the park I learned (after being on the fabric) that the point had been improperly tied off and I hadn’t been securely anchored on a closed system while I was in the air. Thank my guardian angels that nothing had happened, but it scares me to think of how that could have gone otherwise. And for the record here, I had all the tools to have known better and understand that this was a risky and unnecessarily dangerous move.

All of this to say, I suppose, that if you’re thinking of gifting your kid their very own aerial fabric, there’s a lot of stuff that comes along with it. Chances are that most youth won’t have access to the learning opportunities that I did when I was fifteen and sixteen, or the countless hours of mentorship to get hands on rigging experience. But what I’m sure they will have is the desire to hang off of anything and everything that they could possibly climb or throw a rope over.

Having your own circus equipment can be an absolute joy, and it lets you develop as an artist with consideration to the specifics of an apparatus that is yours and no one else’s. It’s truly special. And, if you’re only going to be hanging it up in a circus gym or studio it can be relatively safe as well. 

But, if you’re considering aerial silks as a gift (or any other aerial equipment). Make sure that you’re prepared to have an open and ongoing dialogue about safety and the appropriate places to “hang out” with this new friend (which absolutely does not include trees). And if you’re considering an at home circus set up? Well, that’s a whole other bucket of peanuts to talk about!

Hugs and sparkles!